The Games were full of contrasts. From a sporting perspective, the gentle gracefulness that I observed at the figure skating was offset by the full-on brutality of ice hockey brawls, while the delicate precision of curling was juxtaposed by the frantic chaos of short-track speed skating. From a geographical and cultural perspective, Livigno, which is perched high up in the Alps close to Switzerland, seemed like a giant playground for modern snow sports – geared towards those who like to twist and twirl high in the sky – while Cortina, in the Dolomites, was far more old-fashioned and populated by the traditional skiing establishment. Milan, meanwhile, featured a cluster of modernist, edge-of-town arenas, with international fans happily catching the metro to and from the events. But, in my experience, transportation wasn’t always so convenient. The huge amount of travelling between venues – I went to all but one – was exhausting and getting a late night bus over the mountains between Livigno and Bormio in a blizzard felt a bit hairy.
One thing that Nava has got me thinking about is the deep history of gesture. Gesture exists on the borderland between nature and nurture. Certain physical actions are so universal that they communicate effectively not just across human societies but across species: bared teeth, for instance. Other gestures encode more specific cultural patterns, but do so in a way that is more expansive than language.
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